Cello Concert composition

COMPOSITION MAKING – through the eyes of a child

Diary of a composer by Matthias Kadar – video 3 – the opinion of “very” young students about the Cello Concert composition

Welcome to the new episode of Matthias’ diary about his composition making. Matthias Kadar is the author for Cicerone of a beautiful composition interactive course. He’s now writing a Cello Concerto and once again he offers to our readers a new perspective: this time he interviewed two of his youngest students, who were asked about their envision of how such a complex composition should sound. What could you expect? Uncertainty? Too easy thoughts? Childish ignorance or spontaneity?

Well, you’ll have another confirmation that new generations are “really” advanced. Watch this, and below find another part,  taken from the “History of Cello”, an article based on the research by Vincent Liu published in the “journal of music and dance” in 2011.

History of the Bow

Francois Tourte (1747-1835), born 10 years after the
death of great violin maker Antonio Stradivari was the
“most brilliant bow maker in history.” He passionately
worked on his art in his small workshop in Paris until his
vision began to fail at the age of 85. By working with the
most prominent musicians of the time, Tourte paved the
way for modern bow-making, establishing an ideal model
of the bow by “standardising the dimensions, weight, and
balance, and…by introducing or reintroducing
pernambuco wood from Brazil, the only kind of wood that provides the optimum combination of flexibility, elasticity,
resistance, and weight.” Tourte took his bow-making very
seriously: he chose each of the 200 hair for their “perfect
roundness and uniform length” (Prieto, 2006). His bows
were renowned for their incomparable beauty and perfection
and ability to extract an instrument’s full range of
rich sounds.

What is the bow made of?

The stick of the bow is made of pernambuco wood, which
comes from trees called “brasilium” or “palo brasil”. The frog
is made of ebony; tortoiseshell and ivory were used in the
past, but these materials are now prohibited to prevent
the extinction of turtles and elephants. The ferrule is
generally made of gold or silver. The protective wrapping
where the fingers grasp the bow (above the frog) is made
of leather, silver wire, or gold wire but was formerly
whalebone. A steel screw at the end of the bow adjusts
the tension of the hair, which is made from white horse
hair, usually from colder regions (Faber, 2006).

…to be continued

Originally posted 2017-06-16 20:09:46.